Our starting point is the shirt as an object of study. We work with selected deadstock recovered from local factories — surplus fabrics from the production runs of European fashion houses.
Our practice is guided by two concepts:
“Critical Regionalism” – a perspective borrowed from architecture, through which we approach our endevour in the fashion industry.
“New-Not-New” – a term describing the intersection between a newly produced garment and an archival piece.
(Visual context: A scene from Meandre (1966), by Mircea Săucan)